About



September 19, 2025 @ 7:30 pm
Church of the Most Holy Rosary
111 Roberts Ave. Syracuse , 13207




Program



LOREN LOIACONO
Sleep Furiously

FRANCIS POULENC
Organ Concerto in G Minor
Andante
Allegro giocoso
Subito andante moderato
Mr. Fiacco, organ

INTERMISSION

CAMILLE SAINT-SAENS
Symphony No.3 in C Minor, op.78 (Organ Symphony)
PART I
Adagio – Allegro moderato
Poco adagio
PART II
Allegro moderato – Presto
Maestoso – Allegro

 


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Program Notes



Some works, like Bach’s fugues, make their primary impact through intellectual intricacy. Others, like Tchaikovsky’s 1812 Overture, have a more direct sensual impact. Tonight’s closer, the Symphony No. 3 in C Minor (Organ) (1886) by French composer Camille Saint-Saëns (1835–1921), is one of those works that hits you immediately: It certainly doesn’t require musical training (or even program notes) to understand it. As tonight’s conductor Ho-Yin Kwok points out, “What needs to be paid attention to is so obvious,  you just can’t miss it. It tells you what ...

Some works, like Bach’s fugues, make their primary impact through intellectual intricacy. Others, like Tchaikovsky’s 1812 Overture, have a more direct sensual impact. Tonight’s closer, the Symphony No. 3 in C Minor (Organ) (1886) by French composer Camille Saint-Saëns (1835–1921), is one of those works that hits you immediately: It certainly doesn’t require musical training (or even program notes) to understand it. As tonight’s conductor Ho-Yin Kwok points out, “What needs to be paid attention to is so obvious,  you just can’t miss it. It tells you what it’s about: It’s about sonority, about sound.”

Calling the piece “obvious,” however, doesn’t mean that it’s shallow. Saint-Saëns was no stranger to music’s more rigorous side. Legend has it that, even before he was a teenager, he could play all of Beethoven’s 32 sonatas from memory—and even if the story is exaggerated, it demonstrates the kind of reputation he had. Novelist Marcel Proust, whose aesthetic standards were the highest, considered him an ideal Mozart pianist; and as a life-long organist, Saint-Saëns was fully immersed in the world of Bach, many of whose works he transcribed for piano.

Given his engagement in the most cerebral music, it’s no surprise that Saint-Saëns’s Third Symphony, for all its immediacy, is structurally inventive. On the surface, it’s a two-movement work; but each movement is divided in half, producing a totality that mirrors the symphony’s traditional four-movement form. At the same time, like several of Saint-Saëns’s earlier works, it has a lot in common with the single-movement tone poems introduced by Liszt (to whom it is dedicated) since—despite its dazzling melodic richness—the entire work is tightly unified by the use of shared thematic material throughout. Most important in this regard is the opening theme—tied to the Dies Irae, the plain-chant setting of the “day of wrath” from the Latin Requiem Mass—which serves as a foundation, constantly reappearing in new guises, but maintaining its fundamental quality.

Still, for all its intellectual ingenuity, the Third is primarily, as Ho-Yin points out, “a celebration of sound” in which Saint-Saëns exploited his full skill as a composer to produce what is generally regarded as his orchestral masterpiece. And a remarkably original celebration of sound at that. The introduction of keyboard instruments is especially striking: the sparkle of the piano (at the time, an almost unheard-of member of a symphony orchestra) about two minutes into the second movement comes as a refreshing surprise; the solo entry of the organ (similarly rare as an orchestral instrument) at the start of the second half of the second movement produces a jolt you won’t soon forget—although it turns out to be less of a climax than a preparatory announcement. As you’re listening, Ho-Yin says, “you think this is it. All the stops have been pulled out. But no! As we move towards the coda, we get three or four minutes of increasing intensity, up until the very last measure. That’s one of the things that excites me the most: Just as you think you’ve seen everything, Saint-Saëns—with an accelerando and a broadening of the theme—gives you just a little bit more at the end.”

Yet this exploration of sonority can be subtle as well as spectacular. The scurrying sixteenth notes in the strings near the beginning of the first movement have a marvelous effect: “Soft, but very energetic,” as Ho-Yin describes it, so that while the harmony isn’t agitated, “the bubbling of the sound is incredible.” Then, there’s the organ’s first entry, in the second half of the first movement. Here, as tonight’s organ soloist Dominic Fiacco points out, “the organ is often so soft, it’s tricky to hear.” Indeed, if you didn’t know already that this was a work with an organ, you might have trouble figuring out just what is adding that strange color to the orchestra. In any case, it’s an orchestral sound unlike anything before it in musical history.

The 1938 Concerto in G Minor for Organ, Strings, and Timpani, by Francis Poulenc (1899–1963 is markedly different—both in its treatment of the organ and in its overall spirit. In the Saint-Saëns, the organ part is not especially demanding for the performer, and there are only a few moments where it takes a starring role; most of the time, it’s either silent or only a part of a larger musical fabric. In the Poulenc, in contrast, the organist is the star throughout. Yet its starring role is a bit unconventional when compared to the soloist’s starring role in most concertos. In a traditional concerto, as Dominic puts it, you’ll often find “the entire orchestra against the soloist.” Here, they are less competitive, more cooperative. Much of the time, “the organ leads the argument, and the strings annotate it.” Sometimes, too, the organ will, unconventionally for a concerto soloist, “have both the melody and the accompaniment, whereas the strings and timpani are doubling it or just echoing what it’s saying. When the music needs to get loud, organ and strings and timpani work together instead of against each other to create really satisfying high points. And in the softer sections, the melody is passed between the organ and the strings.”

As for its spirit: In his earlier years, Poulenc developed a reputation as a “light” composer—chic, ironic, sometimes sentimental. His later works, by comparison, have a more serious tone. That’s especially evident in his opera Dialogues of the Carmelites, which ends with the execution of a group of nuns during the Reign of Terror after the French Revolution, musically depicted by having their voices, chillingly, disappear one by one as they are guillotined. The Organ Concerto, says Dominic, “inhabits…both his early and late worlds. Poulenc himself described the concerto as somber. I guess I could see that, since most of it is slow, which is unusual for a concerto. But that doesn’t capture the whole story. You also see Poulenc’s humorous side in the faster sections. There’s a local composer from the Syracuse area, Stephen Carpenter, who described this very well. He says it’s like a merry-go-round: You catch a glimpse of one thing, but you never stay there too long.” It’s hard to disagree. The Concerto begins, for instance, with Bachian grandeur—but it’s interleaved with eeriness, eventually leading to music with driving Stravinskian energy, then…. There are even a few touches of what might sound like typical carousel calliope music. It rarely goes where you expect it to go.

It’s easy to see how the Saint-Saëns and Poulenc fit on the same concert—in fact, they’re often programmed together. But how about our opener, Sleep Furiously by Syracuse composer Loren Loiacono (b. 1989)? This is one of those situations where a program takes on an unplanned coherence. When I was talking to Ho-Yin, he mentioned that it’s difficult to see where Saint-Saëns as a composer comes from—but that it’s easy to see where he led, to see his progeny in the French sound that followed. What neither of us (nor the orchestra’s Artistic Operations Committee, which originally constructed the program) knew at the time was that Loren thinks of herself as in this lineage, too. But she does: In her early years, she was an oboist, and Saint-Saëns (and Poulenc, too) is “foundational” to an oboist’s repertoire. “There’s a line,” she says, “between those pieces and mine, and those composers are prominent in my own subconscious.”

Not that her music could be confused with Saint-Saëns’s—on first hearings, Sleep Furiously seems to inhabit an entirely different musical world, with a clear connection to the American minimalism of Steve Reich and, even more, John Adams. But there’s a French spirit as well, and a similar interest in sheer sonority (you might want to pay attention to the way sustained lines change their color).

As for the title, Sleep Furiously: It comes from a famous sentence constructed by linguist Noam Chomsky (“Colorless green ideas sleep furiously”). It was intended to demonstrate the way a sentence can be syntactically correct (that is, grammatical) while being semantically incoherent (that is, meaningless). In other words, says Loren, “the words are following in an order”— a syntax—“that’s intelligible; but when you start looking at it closely, things start to feel a little bit strange.”

How does this show up in the music? It, too, has intelligibility infected with strangeness. Thus, it’s fairly easy to hear what Ho-Yin calls the overall “almond shape” of the piece. It begins with nearly inaudible flutters that swarm around, and increasingly question, a luxurious cello melody; it dissolves slowly and achingly at the end; the loudest and most vehement music occurs toward the center. Yet while there’s a deceptively clear overall outline, the details of the trajectory are not straightforward: There’s a dream logic here, what Loren calls a “surreal” quality. It’s not simply that some of the music is “dreamy” in the sense of “diaphanous.” More important, the transitions are “slightly off-kilter,” even more than those in the Poulenc. A “recognizable idea” is followed by “another recognizable idea”; but “it doesn’t necessarily follow that you’d go from this one to that one.” To my ears, that’s what makes  the music simultaneously familiar and disorienting.

But there’s another level, too, one that’s more personal. Loren was studying at Cornell with Steven Stucky at the time she wrote Sleep Furiously—and he passed away in the middle of her composition. “This is not a core part of the piece. But in retrospect, I will say that, at least in my own ears, I can very clearly hear the moment … There is that moment where things just kind of come to a halt. And the ending of the piece is a lot more somber than I think it would have otherwise been.” This provides yet another link among the works tonight. The score of Saint-Saëns’s Third is dedicated to Liszt, who died shortly after the first performance; the sudden death of Poulenc’s friend, the composer and critic Pierre-Octave Ferroud, came in the middle of his work on the Organ Concerto, and caused a turn toward religion, which may well have influenced its tone.
Still, whatever the formal ingenuities of tonight’s program, whatever the vein of loss and regret, it remains, at heart, a celebration of sound. And we are confident that by the end of this rich and complex journey, the concert will leave you uplifted, even thrilled.

Peter J. Rabinowitz
Have any comments or questions? Please write to me at prabinowitz@SyracuseOrchestra.org






The Orchestra



VIOLIN I
Peter Rovit, Concertmaster
Supported by Robert & Vicki Lieberman
Sonya Stith Williams, Associate Concertmaster
Supported by Virginia Parker, in memory of Frederick B. Parker, M.D.
Edgar Tumajyan, Assistant Concertmaster
Supported by David A. A. Ridings
Noemi Miloradovic
Laura Smith
Liviu Dobrota
Edwin Lok Hin Cheng
Christopher Stork
Asher Wulfman
Olivia Moaddel

VIOLIN II
Amy Christian, Principal
Supported by Martin Hewitt & Katarína Óladóttir
Anita Gustafson, Assistant Principal
Benjamin Mygatt
Sara Silva
Linda Carmona
Adam Jeffreys

VIOLA
Vacant, Principal
Arvilla Wendland, Acting Assistant Principal
Carol Sasson
Supported by Madison Financial Planning Group
William Ford-Smith
Batmyagmar “Miga” Erdenebat

CELLO
Heidi Hoffman, Principal
Supported by David Abrams, in memory of Cheryl Abrams
Lindsay Groves, Assistant Principal
Supported by George Bain
^Gregory Wood, Assistant Principal
Lydia Parkington, Assistant Principal
Walden Bass
Supported by Susan R. Klenk
George Macero
Supported by Bill & Nancy Byrne

BASS
Spencer Phillips, Principal
Supported by Lou & Kathy Lemos
Michael Fittipaldi, Assistant Principal
Supported by Barbara Davis, in memory of Leslie Davis
Joshua Kerr
Marshall Henry

FLUTE
Vacant, Principal
Supported by Dr. Paul E. Phillips & Sharon P. Sullivan, in memory of Frederick B. Parker, M.D.
Kelly Covert

PICCOLO
Kelly Covert
Supported by Susan Moran

OBOE
Eduardo Sepúlveda, Principal
The Philip R. MacArthur Chair
Mickenna Keller

ENGLISH HORN
Mickenna Keller

CLARINET
Allan Kolsky, Principal
John Friedrichs, Assistant First Chair

BASS CLARINET
John Friedrichs

BASSOON
Rachel Koeth, Principal
Jessica Wooldridge King

CONTRABASSOON
Jessica Wooldridge King

HORN
Jon Garland, Principal
Nancy & David Ridings Chair
Jonathan Dozois
Supported by Paul Brown & Susan Loevenguth
^Julie Bridge, Associate Principal
Tyler Ogilvie

TRUMPET
John Raschella, Principal
Robert C. Soderberg Chair
Supported by Elsa & Peter Soderberg
Roy Smith

TROMBONE
Benjamin Dettelback, Principal
Supported by Sharye Skinner
David Seder
Jackson Murphy
Bass Trombone Supported by an anonymous friend

TUBA
Justin Benavidez

TIMPANI
Glenn Paulson
Supported by Mary Ann Tyszko

PERCUSSION
Michael W. Bull, Principal
Supported by Alice & Michael Kendrick
Ernest Muzquiz
Laurance Luttinger

PERSONNEL MANAGER
Arvilla Wendland

LIBRARIAN
Kyle Jones

^ on leave for the 2025-26 season







Donor List



We are grateful to the following donors for their generous gifts received between August 19, 2024 and August 19, 2025. Every effort has been made to ensure the accuracy in the listing below, but if you find a discrepancy, please contact Riley Farnham at  RFarnham@SyracuseOrchestra.org or (315) 434-5647. 

 

Onward Campaign Donors

Gifts received as part of this major gift campaign. Donors making campaign gifts of $20,000+ receive recognition for underwriting a ...

We are grateful to the following donors for their generous gifts received between August 19, 2024 and August 19, 2025. Every effort has been made to ensure the accuracy in the listing below, but if you find a discrepancy, please contact Riley Farnham at  RFarnham@SyracuseOrchestra.org or (315) 434-5647. 

 

Onward Campaign Donors

Gifts received as part of this major gift campaign. Donors making campaign gifts of $20,000+ receive recognition for underwriting a musician’s chair or sponsoring a concert for 3 years.

 

Anonymous, in memory of John R. Iannota: Jackson Murphy, Bass Trombone 

David Abrams, in memory of Cheryl Abrams: Heidi Hoffman, Principal Cello

George Bain: Lindsay Groves, Assistant Principal Cello

Bill & Nancy Byrne: George Macero, Section Cello 

Barbara Davis, in memory of Leslie Davis: Michael Fittipaldi, Assistant Principal Bass

Martin Hewitt & Katarína Óladóttir: Amy Christian, Principal Second Violin

Alice & Michael Kendrick: Michael W. Bull, Principal Percussion

Susan R. Klenk: Walden Bass, Section Cello

Lou & Kathy Lemos: Spencer Phillips, Principal Bass

Robert & Vicki Lieberman: Peter Rovit, Concertmaster

Paul Brown & Susan Loevenguth: Jonathan Dozois, Second Horn

Madison Financial Planning Group: Carol Sasson, Section Viola 

Susan Moran: Kelly Covert, Second Flute/Piccolo

Virginia Parker, in memory of Frederick B. Parker, M.D.: Sonya Stith Williams, Associate Concertmaster

Dr. Paul E. Phillips & Sharon P. Sullivan, in memory of Frederick B. Parker, M.D.: Principal Flute

David A. A. Ridings: Edgar Tumajyan, Assistant Concertmaster

Shayre Skinner: Ben Dettelback, Principal Trombone

Elsa & Peter Soderberg: John Raschella, Principal Trumpet

Mary Ann Tyszko: Principal Timpani

Donors Contributing to the Frederick B. Parker, M.D. Memorial Gala: Conductor’s Podium in memory of Frederick B. Parker, M.D.

 

The Syracuse Orchestra Legacy Society

The Syracuse Orchestra Legacy Society honors individuals who are providing for the future of symphonic music in Syracuse and Central New York through their will or estate plans.

Anonymous (3) 

David & Cheryl* Abrams Kathleen Bice 

Susan Boettger 

William & Ruth Bradner* 

Evelyn Brenzel* &  

     Anne Marie Cronin* 

Larry* & Mary Frances Comfort

Cissie Fairchilds* 

Joshua & Gloria Goldberg* 

Richard R. Hall 

William Hanley* 

Nan Haylor* 

Harold L. Husovksy, MD & Susan E. Stred, MD 

Helen Jennings* 

Susan R. Klenk

Virginia Parker* 

Robert Scheer* 

Mary Ellen Trimble* 

Donald Waful* 

Michael Waters* 

Jannie Woo* 

*Deceased 

 

The Syracuse Orchestra Lifetime Giving Society

The Syracuse Orchestra celebrates the exceptional leadership and generous support of donors who have contributed significantly to the Orchestra’s mission since its origin in 2012. These individuals have played a vital role in sustaining The Syracuse Orchestra’s artistic and outreach programs, nurturing its musicians, empowering its staff, and enriching the cultural landscape of Central New York.

 

$100,000-$500,000

Anonymous

The Feng Family

Alice & Michael Kendrick

Robert & Vicki Lieberman

David Pida

David A.A. Ridings

James & Marilyn Seago

Mary Ann Tyszko

 

$50,000-$99,999

Anonymous (3)

Paul Brown & 

     Susan Loevenguth

Bill & Nancy Byrne

Craig & Kathleen Byrum

Harold L. Husovsky, MD & Lou & Kathy Lemos

John MacAllister & Laurel Moranz

Robert & Elizabeth Oddy

Peter & Nancy Rabinowitz

Michael & Rissa Ratner

Peter & Elsa Soderberg

Mark & Beth Steigerwald

Peter & Cherry Thun

 

$25,000-$49,999

David Abrams

Michael Bull & 

     Deborah Cunningham

Barbara Davis

Patricia DeAngelis

Robert & Vicki Feldman

Martin Hewitt & Katarína Óladóttir

Joel Potash & Sandra Hurd

Norma Kelley

Christine & David Gross-Loh

David Rankert

Helen Reed &     

     Ronald Ferguson

Lorne & Ellen Runge

Sharye Skinner

Louis & Mary R. Steigerwald

Shaila Wood & Ramesh Gaonkar

 

Annual Fund Donors

Gifts received annually between August 19, 2024 to August 19, 2025 from individuals to support The Syracuse Orchestra’s mission to engage and inspire all community members throughout Central New York with outstanding orchestral and ensemble performances, and innovative education and outreach initiatives.

 

$50,000+

The Feng Family

Robert & Vicki Lieberman

Michael & Rissa Ratner

$20,000-$49,999

Anonymous

William & Nancy Byrne

Martin Hewitt & Katarína Óladóttir

Joel Potash & Sandra Hurd

Alice & Michael Kendrick

Paul G. Brown & Susan Loevenguth

David A. A. Ridings

Peter & Elsa Soderberg

Mary Ann Tyszko

 

$10,000-$19,999

Craig & Kathleen Byrum

Harold L. Husovsky, MD & Susan E. Stred, MD

Susan R. Klenk

Lou & Kathy Lemos

Sue Moran

Paul Mosbo

Paul E. Phillips & Sharon P. Sullivan

David Pida

Peter & Nancy Rabinowitz

David Rankert

James & Marilyn Seago

Sharye Skinner

 

$5,000-$9,999

Anonymous

David Abrams

George Bain

Jack & Heather Drake Bianchi

Jonathan & Kathy Bowen Jr.

Michael Bull & Deborah Cunningham

Mark Costaldi

Willson Cummer & Michelle Breidenbach

Mark Cywilko & Marianne Moosbrugger

Barbara Davis

Paul & Maureen Drescher

Robert & Vicki Feldman

Richard Jaeger

Young & Kelly Lee

Marion & Zahi Makhuli

Robert Oddy

Amy & Matthew Parker

Kimberly & Mihael Puc

Ellen Runge

Shaila Wood & Ramesh Gaonkar

 

$2,500-$4,999

Michael Barkun

Kathleen Bice

David Brittain

Cecelia Broton

Linda Tassa & Joseph Cerroni

Christopher & RoAnn Destito Family Fund of Community Foundation of Herkimer and Oneida Counties

David Driesen & Jeanne Otten

John & Janet Dwyer

Thomas & Cindy Giffin

Lawrence & Dorothy Gordon

Lindsay Groves

Barbara Haas

Daniel & Julia Harris

Carol Watson Hickes

Bruce Irvine

Harvey & Deborah Kliman

Bob & Pat Lebel

John MacAllister & Laurel Moranz

Walter & Elizabeth Merriam

Mary Pat Oliker

Ed & Louise Stevens

Gwen Sykes

William & Margaret Thickstun

Ben Walsh for Syracuse

 

$1,000-$2,499

Neville Sachs & Carol Adamec

David Allen

Robert & Alice Andrews

Ferial Benhaimi

William & Audrey Boyd

Marcus& Elizabeth Cerroni

Shiu-Kai Chin & Linda Milosky

Joe & Nancy Clayton

George & Deborah Coble

Linda & Bill Cohen

Richard & Marjorie Cohen

Kelly & Kelly Covert

Michael & Wendy Cynamon

Patricia DeAngelis

Patricia Callahan & David Dee

Rosemarie MacArthur

Michael Lee & Deborah Donahue

Bill & Betsy Elkins

Elizabeth Etoll

Daniel & Karen Fuleihan

Chris C. Gagas

Jon Garland

Jack & Yana Graver

Gary & Bonnie Grossman

Carol Sasson & Tim Guhl

Anita Gustafson

Lamont & Joan Hahn

Burt & Sue Harbison

Haylor Family Charitable Fund

Joyce Homan

Peter & Mary Huntington

Steve & Elaine Jacobs

Nancy Caple Johnson

Norma Kelley

John & Maren King

David & Gloria Kreh

John A. Lang

Zalie & Bob Linn

Christopher J. Mack & Catherine Diviney

Nels & Deborah Magnuson

Rocco & Roberta Mangano

John & Candace Marsellus

Fritz Messere & Nola Heidlebaugh

Donna Miller

Eric & Judy Mower

Edward & Alice Nanno

Estate of John & Carol Oberbrunner

Barbara Omicinski

David & Janice Panasci

Patricia Peach

Carolyn Stark

Helen Reed & Ron Ferguson

Bill & Karen Roche

Paula Rosenbaum & Jacques Lewalle

David Ross & Martha Sutter

Toni Salisbury

Edward & Lois Schroeder

Gracia Sears

Craig A. Simmons & Richard K. Ernst

Barbara A. Ford & William E. Smith

Susan Stowell

Douglas Sutherland & Nancy Kramer

Norma Tippett

Larry & Linda Vicks

Howard & Anita Weinberger

Miriam Weiner

Qing Wu & Qinru Qiu

$500-$999

Anonymous

Charles & Marie Albee

Todd & Sophia Battaglia

James & Joanne Beckman

Ron & Sue Berger

Thomas Bersani & Joan Christy

William Billingham

Joseph & Mary Browne

Robert Sarason & Jane Burkhead

Frank Byrne & Mary McCune

Ronald Capone

Robert & Marsha Chopko

Barbara Czarnecki

Darrin Dayton

Bonnie DeBoer

Katheryn Doran

Guy & Nancy Easter

Mark Feldman & Christine Riley

Earleen Foulk

Michael & Susan Fox

Adam C. Gagas

Judy & Mark Gotham

Joseph & Jean Guss

Gary Quirk & Charlotte Haas

Estelle M. Hahn

Joan M. Hanlin

Donald & Donna Henry

Steven & Amy Heyman

Michael & Victoria Hoffman

Vincent & Loretta Hueber

John & Jane Klucsik

Christopher & Deborah Knight

Leslie Kohman & Jeffrey Smith

Lauralyn & G. Roberts Kolb

Dean R. Kolts

Ronald Kowalski

Andrea Latchem

Richard Levy

Janet Little

Eugene & Christine Lozner

Donald J. & Patricia MacLaughlin

Janet Mallan

Susan E. Martineau

Wallace & Gayonne McDonald

Thomas McKay & Dianne Apter

Robert & Susanna McVaugh

Lois M. Meyer

Mark & Debbie Miller

Music Faculty at Onondaga Community College

David & Beth Mitchell

Sara Morrow

Barbara Nevaldine

Sally O’Herin

John & Danielle O’Loughlin

Lleni Pach

Brian Pavlovitz

Howard & Ann Port

Marc & Marco Ramos

Jonathan E. Richman

Michael & Kelley Romano

Bernard Schneider

Steven & Marilynn Schroeder

Conrad Strozik & Janice Farrelly

Linda M. LeMura & Lawrence Tanner

John & Maureen Tracy

Kristin Kadaji

Leah Weinberg & Paul Barron

Jenna Weitzel

 

$100-$499

Anonymous (19)

George & Beverley Adams

Jeanne & Robert Anderson

Manuel Ares

Peggy & Tim Atseff

Mark Hoffmann & Jo Anne Bakeman

Marion Barbero

Tom Baron & Christine Liggio

Lorraine Barry

Helen Beale

Jean Beers

Barbara Bell

David & Gerda Bennett

Thomas & Susan Bergemann

Robert J. Berger

Janine Bernard

Edward & Angela Bernat

Cheryl & Aaron Sobol

Diana Biro & Eric Rogers

Nicolina Bisson

Marilyn M. Bittner

Estate of Peter & Lida Black

Barbara Bloom

Estate of Sandra Blouin

Susan Boettger

Anita Bombard

Jon & Patricia Booth

Alice Borning

James & Joyce Bresnahan

Noni & Harold Bristol Fund

Carroll Brown & Ann Young

Ruth Brown

William Brunken & Dale Hunter

Sharon Wise & Bryant Buchanan

Alfred Kelly & Sharon Burke

Ellen & Keith Butler

Andrea Calarco

Janet Callahan

Lawrence & Fran Campbell

Danielle Caryl

Edward & Sarah Castilano

Ronald & Judith Cavanagh

Elaine Ceresko

Kim & Bob Cherry

Robert & Amelia Christian

Valerie & Steve Churchill

John & Christine Clark

Sam & Carolyn Clemence

Sally Cockburn

Linda & Paul Cohen

Joyce Cook

James, Michelle Cooper

Peg & Pat Corbett

Diana F. Cramer

Helen Cronk

Anne Cronlund

Raymond Cummings, Jr.

Arthur D’Addario

Daniel D’Agostino

Michael & Elizabeth Daly

Davine & Yalonda Bey

Lynn & Patricia Davis

Rev. Christine J. Day

Virginia Debenedictis

Terry & Bill Delavan

James & Debra DeSocio

Dana & Dave DiGennaro

James & Donna Dispenza

Becky Dodd & Ross Wakeman

Alan & Linda Dolmatch

Christopher Douglass

Joseph Downing & Willard Doswell

Rebecca A. Downing & Kevin Sullivan

Kenneth & Virginia Drake

Christopher Dranchek

Corinne Driscoll

Lance Drucker

Dorothy Dunham

Siobhan Dunn

Ed & Karen Eagan

Barbara Egtvedt

John & Margaret Elliott

Christopher Erat

Richard & Jill Ertinger

Steve & Suzanne Evans

John & Margaret Feldmeier

John & Barbara Fero

Barbara & Matthew Ferro

Robert & Terry Flower

Gerard & Vanessa Flynn

Judith Fox

Nancy Freeborough & Swiat Kaczmar

Kenneth & Kathleen Freer & The Silverwood Clarinet Choir

Rita Gram & Sue Friedland

John & Annette Friedrichs

Karen Fruehan

Aileen Gallagher & Adam Crowley

Allen & Nirelle Galson

Barbara W. Genton

Sharon & David Gerber

Martha Getman

Christine Geyer

Reno & Grace Ghezzi

Joseph Giancola Jr.

Tyler & Brenna Ogilvie

Sandra K. Gingold

Carol Ginsky

Edward & Laurel Golash

Michael & Jacki Goldberg

Andrew Goldberg

Ellen Golden & Brian Walton

William J. Goodwin

Michael & Wendy Gordon

The Gorton Family

Jeremy Gosbee

Cyrus Grant

Stephen L. & Julia Graziano

Mark Greene & Cynthia Dowd Greene

Martha & Robert Group

John & Kayla Gugino

Mary Elizabeth Haas

Tom & Christine Hafner

Patrick Hahn & Susan Drummond

Rich Hall

Dana & Susan Hall

John Hallihan & Ethelwyn Soper

Iain & Danielle Hally

Judith Hand

Baird & Sarah Hansen

Brian & Barbara Hanson

Robert & Teresa Hargrave

Hilary E. Harley

Richard & Ann Harris

Douglas & Nancy Hatch

Karen & Bill Havens

Richard & Susan Hawks

Richard & Susan Heimerman

Thomas Higgins

Kimberly Higgins

Paula & Joseph Himmelsbach

Thomas Hirasuna & Jean Hunter

Charles & Carol Hladun

Geoffrey & Ellen Holm

Ruth Hotaling

Linda Imboden

Patricia W. Infantine

Wanda Irish

Linda Isaac

Anne Jamison & Peter Vanable

Todd & Taryn Jirousek

Diane Johnson

Edward Johnson

Paula C. Johnson

Anthony & Kathy Joseph

Carolyn Kanaley

Philip & Judy Kaplan

Nancy Karapin

Lexi Carlson & Sebastian Karcher

Barbara Ellen Kay

Amy Kemp

Patrick Killorin

Mark & Jessica King

Robin Kinnel

John & Mary Kinsella

Jeffrey Kirshner & Lorraine Rapp

Pamela Knapp

Frederick & Janet Koennecke

Barry R. & Kathryn Kogut

Michael & Karen Kolceski

Richard & Roxanne Kopecky

Roger Krieger

Bonnie Krueger & Thomas Bass

Thomas & Juliet Kubiniec

Barbara Kwasnik

Ho-Yin Kwok

Lorraine LaDuke

Stephen Lackey

Robert & Lauren Lalley

Linda Land

Tod Leggat &

Shannon Magari Leggat

James A. Leiter & Allison H. Woeger

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Gregory & Rita Wood

Richard & Mary Wood

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Mary Jane Woodcock

Peter Wozniak

Richard & Mary Dee Yost

Alicia Zaret

Jack Zasada & Mary Haven

Carol Zellar

IN MEMORY OF CHERYL ABRAMS

 

David Abrams

IN MEMORY OF DAVID BARLOW

Matt & Jennifer Vacanti

IN HONOR OF WALDEN & EMILY BASS

Anonymous

IN HONOR OF WALDEN BASS & ANITA GUSTAFSON

Richard & Linda Smernoff

IN HONOR OF WALDEN BASS & PAT SHARPE

Kip & Terry Hargrave

IN HONOR OF CHRISTOPHER BERRY & EMMA SPECTOR

Hilary E. Harley

IN MEMORY OF ETHEL BLACK

Andrew Goldberg

IN MEMORY OF CARL BORNING

Alice Borning

IN HONOR OF BONITA CHAPMAN

John F. O’Neill

IN HONOR OF AMY CHRISTIAN

Martin Hewitt &

Katarína Óladóttir

IN MEMORY OF JUDITH SAVAGE COLEMAN

Stephen Coleman

IN HONOR OF KELLY COVERT

Robert & Barbara Covert

IN MEMORY OF GLORIA GALLANIS DAYTON

Darrin Dayton

IN MEMORY OF ANTHONY DEANGELIS

Rose & Philip Weaver

Cleota Reed

IN MEMORY OF KIT DODD

Becky Dodd & Ross Wakeman

IN MEMORY OF DORIS EAGAN

Ed & Karen Eagan

IN HONOR OF JOHN & ANNETTE FRIEDRICHS

Scott Shablak

IN MEMORY OF GLORIA DAYTON WILMA GALLANIS

Darrin Dayton

IN HONOR OF JON GARLAND

David Brittain

IN HONOR OF GRACE & RENO GHEZZI

Donna Scrimale

IN MEMORY OF NORMA GOODMAN

John O’Neill

IN HONOR OF ANVI GOWDA

Shilpa Gowda Kabbli

IN HONOR OF ANITA GUSTAFSON

Christopher Dranchek

IN MEMORY OF NANCY HAMMOND

Michael Jeffrey Spencer

IN MEMORY OF MARILYN HANSON

Brian & Barbara Hanson

IN HONOR OF CAROL HUEBER

Amy Hueber

IN MEMORY OF SUSAN JAROSZ

Barbara Weller

IN MEMORY OF JESSICA

Barbara & Steve Churchill

IN HONOR OF ALLAN KOLSKY

Mary Helen McNeal

IN MEMORY OF FRITZ KUCINSKI

Barbara Omicinski

IN MEMORY OF DAVID B. LA DUKE

Lorraine La Duke

IN HONOR OF ANNA LAMMLY

Ralph & Kathleen Wiegandt

IN MEMORY OF

ELOISE LATINO

Kenneth & Virginia Drake

IN MEMORY OF

EDWARD M. LEWIS

Beverly A. Lewis

IN HONOR OF ROBERT LIEBERMAN

Joshua W. Podkaminer & Rebecca Podkaminer

IN MEMORY OF WILLIAM LIGGIO

Thomas Baron & Christine Liggio

IN HONOR OF LIVERPOOL SCHOOLS MUSIC TEACHERS PAST & PRESENT

Holly Pratt

IN HONOR OF LAWRENCE LOH

Barbara Bell

Craig & Kathleen Byrum

Patricia DeAngelis

Jeremy Gosbee

Fritz Messere & Nola Heidlebaugh

IN HONOR OF LAWRENCE LOH & THE ORCHESTRA MEMBERS

Joel Potash & Sandra Hurd

IN HONOR OF LAWRENCE LOH, SEAN O’LOUGHLIN, PAMELA MURCHISON & KELLY COVERT

David Rankert

IN MEMORY OF DOUG LYON

Stacy Lyon

Cheryl & Aaron Sobol

IN HONOR OF THE MACERO FAMILY

Mary Roberts-Bailey

IN MEMORY OF ELIZABETH BETTY MANN

James & Marilyn Seago

IN MEMORY OF LOUIS V. MARUCCI

Nanette & Thomas Pasquarello

IN HONOR OF TASHA COOPER & TOM MATTERN

Jeffrey Cooper & Peggy Daub

IN HONOR OF SPENCER PHILLIPS & NOEMI MILORADOVIC

Hannah & Christopher Douglass

IN MEMORY OF MOM

Rita Gram & Sue Friedland

IN MEMORY OF EDWARD A. MONACO JR.

John & Annette Friedrichs

IN MEMORY OF VIVIAN MOSBO

Paul Mosbo

IN HONOR OF PAMELA MURCHISON

Linda Loomis

Anne L. Messenger

IN HONOR OF ERNEST MUSQUIZ

Mark & Judith Gotham

Bill & Karen Roche

IN MEMORY OF MY PARENTS

Ida Tili-Trebicka

IN HONOR OF SEAN O’LOUGHLIN

Don & Loraine Ridall

IN MEMORY OF GEORGE OPLINGER

Judith Dehn Oplinger

IN MEMORY OF GINNY & FRITZ PARKER

Arthur McDonald &

Barbara Beckos

IN MEMORY OF SAMUEL PELLMAN

Colleen Roberts Pellman

IN HONOR OF SPENCER PHILLLIPS

Lou & Kathy Lemos

IN MEMORY OF ELIZABETH PIZZUTO

Jeanne Pizzuto-Sauve

IN MEMORY OF BEVERLY POTTER

Karen Potter

IN HONOR OF KIMBERLY FLOMERFELT-PUC

Lance Drucker

IN HONOR OF PETER RABINOWITZ

Katheryn Doran

IN MEMORY OF BETTY REESE

Allan & Cheryl Maxian

IN HONOR OF DAVID A. A. RIDINGS

Robert & Alice Andrews

Ruth D. Brown

Jon Garland

Bernard Schneider

IN MEMORY OF LIBBY RUBENSTEIN

Arnold Rubenstein

IN MEMORY OF ELINORE SCHOCHET

Audrey S. Hurley

IN HONOR OF EDUARDO SEPÚLVEDA

David Rankert

IN HONOR OF PATRICIA SHARPE & WALDEN BASS

Robert & Teresa Hargrave

IN MEMORY OF ROBERT L. SLAVENS

Nancy Slavens

IN HONOR OF TERRANCE SQUIRES

Maureen Squires

IN MEMORY OF DAVID TATHAM

Cleota Reed

IN HONOR OF KAREN TIETJEN

Christopher Erat

IN MEMORY OF SUE TODERO

Stephen & Doreen Bosch

IN MEMORY OF OTTO & ELEANOR TREIER

George & Ronna Treier

IN HONOR OF EDGAR TUMAJYAN & PETER ROVIT

Young & Kelly Lee

IN MEMORY OF BILL WEST

Alan Fischler & Karen McDonold

IN MEMORY OF JOHN J. WHITTLE

The John & Judy Whittle Charitable Trust

IN MEMORY OF DAVID WHYTE

Anne Whyte

IN HONOR OF SONYA STITH WILLIAMS

Frank & Kathleen Stith

IN MEMORY OF MARY ANNE WILSON

Robert Humphrey

IN MEMORY OF RYAN P. WOOD

Music Faculty at Onondaga Community College

Gregory & Rita Wood

IN MEMORY OF GERALD ZAMPINO

Jacqueline McKillop

Edward & Judith O’Rourke

 






Board of Directors



Martin Hewitt | Chair
Special Counsel, Fried Frank

Jackie Penfield | Vice Chair
Director of Client Services, OneGroup

John Riley | Secretary
Senior Counsel, Bond, Schoeneck, & King

Marcus Cerroni | Treasurer
Principal & Co-Founder, Modali Consulting

Daniel Berkowitz
Associate Attorney, Bousquet Holstein PLLC

Amy Christian
Musician, The Syracuse Orchestra

Kelly Covert
Musician & Special Events Manager
The Syracuse Orchestra

Vicki Feldman
Community Volunteer

Kimberly Flomerfelt-Puc
Community Volunteer

Jon Garland
Musician & Director of Operations
The Syracuse Orchestra

George Kilpatrick
Host, Inspiration for the Nation

Allan Kolsky
Musician, The Syracuse Orchestra

John Liddy
VP of Innovation & Entrepreneurship,
CenterState CEO

Robert Lieberman
Managing Partner, RAV Properties

Frank Messere
Dean Emeritus, School of Communication,Media & the Arts
SUNY Oswego

Michael Ratner, M.D.
Surgeon, Upstate Medical Center (retired)

Eduardo Sepúlveda
Musician, The Syracuse Orchestra

Martha Sutter
Associate Dean of Graduate Programs & Teaching Professor of Voice
Syracuse University

Gwendolyn Sykes
Executive VP, Finance & CFO, SRC, Inc.

Shelly Thompson-Liedka
VP & Commercial Banking Manager, M&T Bank

Pamela Murchison
Executive Director (ex officio)





Staff



Pamela Murchison
Executive Director

Jon Garland
Director of Operations

Andrew Teller
Orchestra Manager

Arvilla Wendland
Personnel Manager

Jonathan Dozois
Assistant Personnel Manager

Kyle Jones
Librarian

Jon Mosbo
Stage Manager

Lara Mosby
Director of Community Engagement

Kelly Covert
Special Events Coordinator

Riley Farnham
Development Manager

Brian Pope
Marketing and Data Manager

Kirsten Johnson
Youth Orchestra Manager & Education Manager

Krystina Carnifax
Box Office Representative

Stephen Salem
Youth Orchestra Music Director

Jessica Tumajyan
Youth Strings Conductor