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Join us for the grand finale of the Syracuse Youth Orchestras’ 2024–2025 season — a spectacular evening of music that spans fantasy, film, and classical brilliance!

This unforgettable concert features everything from high-seas adventure in Pirates of the Caribbean to the sweeping majesty of Dvořák’s Symphony No. 8, the thrilling magic of Night on Bald Mountain, and the soaring spirit of How to Train Your Dragon. The night will also feature soloist Colin Chin, winner of the SYO Concerto Competition, as the Young Artist Orchestra joins him to play Lalo’s Cello Concerto.

Don’t miss this chance to witness the incredible talent and passion of Central New York’s finest young musicians. It’s not just a concert — it’s a celebration of everything they’ve achieved this season!

Invite your friends, bring the family, and let’s end this season on a high note!


Thanks to our generous sponsors!

 

 

Susan R. Klenk

 

 

 

PROGRAM NOTES

Zhou Tian (b. 1981)
Listening to the Land (2013)
“Listening to the Land” is an elegy inspired by “Forever in Happiness (Reminiscing the bygone days),” a Song Dynasty poem by Xin Qiji (1140 –1207) about lost love. It is a movement of the composer’s 30-minute suite “Broken Ink,” in which he “sought to capture the poetic flavor that was lost in translation.”
Grammy-nominated composer Zhou Tian (JOH TEE-en) seeks inspiration from different cultures and strives to mix them seamlessly into a musically satisfying combination for performers and audience alike. The Wall Street ...
Zhou Tian (b. 1981)
Listening to the Land (2013)
“Listening to the Land” is an elegy inspired by “Forever in Happiness (Reminiscing the bygone days),” a Song Dynasty poem by Xin Qiji (1140 –1207) about lost love. It is a movement of the composer’s 30-minute suite “Broken Ink,” in which he “sought to capture the poetic flavor that was lost in translation.”
Grammy-nominated composer Zhou Tian (JOH TEE-en) seeks inspiration from different cultures and strives to mix them seamlessly into a musically satisfying combination for performers and audience alike. The Wall Street Journal states his works “accomplish two important things: They remind us of how we got from there to here, and they refine that history by paying belated tribute to contributors who might otherwise be forgotten.” His music — described as “absolutely beautiful…utterly satisfying” (Fanfare), “stunning” (the Cincinnati Enquirer), and “a prime example of 21st-century global multiculturalism” — has been performed by leading performers and orchestras, such as Jaap Van Zweden, Yuja Wang, Manfred Honeck, the New York Philharmonic, London Philharmonic, San Francisco Symphony, Pittsburgh Symphony, Mahler Chamber Orchestra, Dover Quartet, and Shanghai Symphony, where he recently served as the Artist-in-Residence. His Concerto for Orchestra earned him a GRAMMY Award nomination for Best Contemporary Classical Composition, making him the first Chinese-born composer honored in that category. In 2022, he became the first Asian-American to win the coveted Sousa-ABA-Ostwald Award for Sinfonia. Zhou graduated from the Curtis Institute, the Juilliard School, and the University of Southern California, is professor of composition at Michigan State University.

FEATURED ARTISTS