In the heart of winter, this concert offers a welcome breath of spring. The lilting Voices of Spring Waltz shimmers with buoyant optimism, while Frederick Delius’s On Hearing the First Cuckoo of Spring unfolds in gentle, pastoral hues, evoking thawing landscapes and a renewal that is soon to come. Anchoring the program, Johannes Brahms’s Serenade No. 2 offers warm lyricism and graceful charm, its sunlit textures and flowing melodies suggesting the promise of brighter days ahead.
PROGRAM
STRAUSS JR.: Frühlingsstimmen, op.410 (Voices of Spring) ![]()
DELIUS: On Hearing the First Cuckoo of Spring ![]()
BRAHMS: Serenade No. 2 in A Major, op.16 ![]()
FEATURED ARTISTS
Hailed as “one of the great talents in the USA at the moment” by Yannick Nézet-Séguin, Brazilian-American conductor Austin Chanu is the newly appointed Music Director of The Syracuse Orchestra. He has also earned recognition as a four time recipient of the Career Assistance Award from the ...
Hailed as “one of the great talents in the USA at the moment” by Yannick Nézet-Séguin, Brazilian-American conductor Austin Chanu is the newly appointed Music Director of The Syracuse Orchestra. He has also earned recognition as a four time recipient of the Career Assistance Award from the Solti Foundation U.S., and as the third prize and orchestra prize winner in the Korean National Symphony Orchestra International Conducting Competition.
In the 25-26 season, Austin made debuts with The Syracuse Orchestra, the Qatar Philharmonic Orchestra, and the Johns Creek Symphony Orchestra. He has also been named a finalist in The Mahler Competition 2026 and will compete in June conducting the Bamberger Symphoniker. In recent seasons, he has appeared as a guest conductor with The Philadelphia Orchestra, Baltimore Symphony Orchestra, Filarmonica Banatul Timișoara, St. Louis Symphony Orchestra, Rochester Philharmonic Orchestra, and Omaha Symphony.
Previously, Austin was the Assistant Conductor of The Philadelphia Orchestra, where he assisted Music Director Yannick Nézet-Séguin. During this time, he co-lead a project to restore, rebuild, and elevate the underperformed works of American composer William Grant Still. He helped create and conducted the world premiere of a newly restored edition of Still’s Wood Notes.
Austin made his subscription debut with The Philadelphia Orchestra conducting Igor Stravinsky’s The Rite of Spring. Critics commended his interpretation saying, “the orchestra never sounded better as Chanu led with primal energy and shamanistic insight into the music… the orchestra matched Chanu’s confident leadership in a performance of searing energy and heart-thumping passion” (Broad Street Review).
Austin has a passion for contemporary music, stemming from his own background as a composer. He served as a teaching artist and conductor for the LA Philharmonic Association’s Associate Composer Program, as well as a Conducting Fellow at the Cabrillo Festival of Contemporary Music, where he studied with conductor Cristian Măcelaru. He was commissioned by the Eastman School of Music to compose an orchestral work for the school’s centennial celebration and conducted its world premiere in the Fall of 2021.
Austin was also formerly the Music Director for the Los Angeles Music and Art School, where he conducted and developed the artistic direction for the youth orchestra, choirs, and jazz band. Austin found it rewarding to draw on his Latino heritage to foster representation for the predominantly Latinx students and families in the program through repertoire selection.
In addition to his orchestral background, Austin has extensive experience in jazz and musical theatre styles. While living in Los Angeles, he was a high-call woodwind performer for musical pit orchestras and jazz ensembles.
Austin received a B.M. in Music Composition from the USC Thornton School of Music, graduating Magna cum Laude. He also graduated from the Eastman School of Music with an M.M. and DMA in Orchestral Conducting.




