During WWII in Terezin Concentration Camp, conductor and prisoner Rafael Schachter taught 150 prisoners the Verdi Requiem note by note after grueling days of forced labor. In an act of utmost defiance, this group persevered to keep art alive and performed the Requiem 16 times for their fellow prisoners. In a partnership with the Jewish Federation of CNY, we are proud to present The Defiant Requiem.
PROGRAM
Thank you to our generous sponsors!
TITANIUM SPONSOR:
Robert & Vicki Lieberman
PLATINUM SPONSORS:

This project is made possible with a Tier Three Project Support grant from the County of Onondaga, with the support of County Executive Ryan McMahon and the Onondaga County Legislature, administered by CNY Arts.
The Joseph Elman Endowment Fund for Holocaust Studies
The Philip L. Holstein Community Program Fund
The Dr. William Serog Endowment Fund
GOLD SPONSOR:
Barbara Davis
SILVER SPONSORS:
Sarah Charney
Steven and Elaine Jacobs
BRONZE SPONSORS:
Sheldon and Karen Kruth
The Pomeranz Martin Shankman Foundation
Mark and Phyllis Zames
FEATURED ARTISTS
Jewish Federations work every day to support and strengthen Jewish communal life around the world. We are there anytime, anywhere Jews are in need. We serve Jews of all ages, backgrounds, nations, and stations in life. We help young families with children, Holocaust survivors, victims of terror, survivors of ...
Jewish Federations work every day to support and strengthen Jewish communal life around the world. We are there anytime, anywhere Jews are in need. We serve Jews of all ages, backgrounds, nations, and stations in life. We help young families with children, Holocaust survivors, victims of terror, survivors of natural disasters and other emergencies, and all those in distress.
Julia Ebner is an active classical singer who has been praised for her “vocally and dramatically superb,” performances. Ms. Ebner has taken the stage for companies including The Santa Fe Opera, The Florida Grand Opera, Opera North, Virginia Opera, Winter Opera St. Louis, Opera San Antonio, Ash Lawn Opera, ...
Julia Ebner is an active classical singer who has been praised for her “vocally and dramatically superb,” performances. Ms. Ebner has taken the stage for companies including The Santa Fe Opera, The Florida Grand Opera, Opera North, Virginia Opera, Winter Opera St. Louis, Opera San Antonio, Ash Lawn Opera, St. Petersburg Opera, Bel Cantanti Opera, Green Mountain Opera Festival, Syracuse Opera, Opera in the Heights, The Tri-Cities Opera, Amherst Early Music Festival, Oswego Opera Theater, Chelsea Opera, Buffalo Opera Unlimited and The Charleston Chamber Opera. Ms. Ebner has also had the honor of singing in the chorus of the Metropolitan Opera for productions of Fidelio, Otello, and Turandot.
A versatile concert performer as well, Ms. Ebner’s credits include Handel’s Messiah, Mahler’s Rückert Lieder and Bach’s Magnificat with Symphoria. She has also sung as the soloist for Vaughan Williams’s A Sea Symphony and Dona Nobis Pacem, Brahms’ Requiem, and Mendelssohn’s Elijah with Symphoria at Hamilton College., Haydn’s Last Seven Words of Christ in DeWitt, New York, Mozart’s Requiem in Binghamton, New York, and Haydn’s Missa Brevis in F at Syracuse University. She has also sung the soprano solos in Mozart’s Missa Brevis in F and Vesperae Solennes de Confessore with the Syracuse Masterworks Chorale and Dan Forrest’s Requiem for the Living with the Downtown Singers of Binghamton. Recognized for her talent for both early music and new music, she has frequently performed as the soprano soloist for the Binghamton Baroque Ensemble as well as The Society for New Music.
Ms. Ebner’s teaching experience includes teaching voice with Syracuse University and LeMoyne College as well as leading choirs at LeMoyne College and SUNY Cortland. She also directs the Opera Workshop and teaches Vocal Literature for Syracuse University. She is also sought after for her award winning choreography and dance teaching experience with her work being performed both locally and in North Carolina and Florida.
Ms. Ebner earned her Bachelors of Music in Vocal Performance at Syracuse University, and her Masters of Music in Opera at Binghamton University.
Mezzo-soprano Dawn Pierce is a native of Olean, New York, and currently an Assistant Professor of Voice at Ithaca College. Praised as both an exceptional performer and an empowering teacher, Ms. Pierce is devoted to promoting a deep understanding of artistry and self-expression. Reviewers laud her as “vocally impressive ...
Mezzo-soprano Dawn Pierce is a native of Olean, New York, and currently an Assistant Professor of Voice at Ithaca College. Praised as both an exceptional performer and an empowering teacher, Ms. Pierce is devoted to promoting a deep understanding of artistry and self-expression. Reviewers laud her as “vocally impressive and dramatically convincing,” while students describe her teaching as “innovative,” “energetic,” and “inspiring.” Through her work in the US and Europe, she has quickly been gaining recognition as a visionary leader. She is the creator and director of the Opera Company of Middlebury Young Artist Program, an upcoming teacher for The Great Courses, and a former voice teacher and current board member for the International Performing Arts Institute in Kiefersfelden, Germany.
Ms. Pierce abounds with experience in a wide variety of styles and venues. On the operatic stage, she recently performed the title role in Carmen with Opera Ithaca, Charlotte in Werther with Mobile Opera, Beatrice in Beatrice et Benedict with Asheville Lyric Opera, Olga in Eugene Onegin w ith Opera Carolina and Opera Company of Middlebury, and Madelon and Bersi in Andrea Chenier with Nashville Opera. Ms. Pierce is equally comfortable in musical theatre, where she portrayed Franca (The Light in the Piazza), The Grand Duchess (The Student Prince), and Anita (West Side Story) . On the concert stage, she has earned rave reviews for her interpretation of the alto solos in Verdi’s Requiem and Handel’s Messiah. Recently, she delivered a moving performance as Maria von Wedermeyer in McElyea’s TENEBRAE: The Passion of Dietrich Bonnhoeffer. She has been a featured soloist with Asheville Symphony, Syracuse Symphony, York Symphony, Cayuga Chamber Orchestra, Charleston Symphony, and with the Binghamton Downtown Singers, Hamilton Masterworks Chorale and Ithaca College Orchestra.
An innovative recital programmer, Ms. Pierce performs frequently in collaboration with renowned artists such as Charis Dimaras, Emily Newton, and Christopher Zemliausekas. Ms. Pierce most recently presented The Four Types of Love, a mixed-genre recital exploring four types of love through song. She was a featured recitalist at the 2018 Middlebury Song Festival, performing an American Art Song program titled “Wild and Wonderful.” Other notable programs include Written in My Heart, an interactive recital exploring standard operatic literature in conjunction with technology, fine art, literature, and audience participation; My Native Land, a non-traditional, solo recital featuring five commissioned works and exploring American genres, including folk, art, opera, musical theatre, and spirituals; The Soprano Sisters, a humorous, narrated program exploring the mezzo-soprano relationship in opera and musical theatre, and Your Opera in a Trunk, a one-hour, improvised opera with plot and characters determined by audience suggestion.
Ms. Pierce has extensive experience as a private teacher, musical director, and master class presenter. At Ithaca College, her students describe her as an “extremely passionate, thorough, empathetic, and innovative professor, mentor, and technician.” Her teaching philosophy incorporates the prominent pillars of empowerment, individuality, community, and excellence as the foundation for inspired lifelong learning. In addition to teaching vocal technique, dramatic intention, musical interpretation, and body awareness to undergraduate level singers.
Ms. Pierce invests in the mental well-being of her students as an integral part of their artistic education. Over her nine years at Ithaca College, she has created a four-year series of written artist assignments designed to synthesize artistry, academia, and self-understanding. Recently, Ms. Pierce revised the instructional format for first-semester freshman, creating a course specifically designed to help give them the essential tools necessary to succeed academically over their four years. In her unceasing efforts to best prepare students to be independent artists, she established a course for students preparing recitals, in which they had additional weekly opportunities for performance, instruction, feedback, and support. Furthermore, she developed a curriculum for Opera Workshop, a collaborative and interdisciplinary performance course designed to improve the skill level, confidence, and self-awareness of the singing actor. As part of Ms. Pierce’s mission to honor individuality within community, she designed, developed, and taught a first-year seminar called “Yes, and…realizing self through improvisation.” She encourages her students to perform frequently and at a wide variety of venues, from professional establishments to local retirement communities. In 2017, Ms. Pierce designed and directed the inaugural Voice Intensive, a semesterly, week-long performance series for young singers. In Spring 2019, this expanded to the Arts Intensive, which incorporated the entire music school and included over 100 hours of workshops.
Not only is Ms. Pierce deeply committed to teaching healthy vocal technique as a balance of art and science, but she is equally invested in both the artistic and personal growth of young artists, ranging from the undergraduate to professional level. Ithaca College selected her to serve as one of three faculty members on the Strategic Planning Committee in 2018-2019 to rewrite the vision, mission, and goals for the college. She currently serves as a board member for the International Performing Arts Institute in Kiefersfelden, Germany, where she participates in value, vision, and strategy for the program; previously, she served as Director of Voice. Ms. Pierce consistently distinguishes herself as a visionary leader for lifelong learning. The Great Courses selected her from the top 1% of college professors in the world to write a twenty-four lesson course called “How To Sing,” to be released in spring of 2020. For nearly 20 years, Ms. Pierce has designed numerous entrepreneurial workshops and programs examining a variety of issues related to artistry and technique. In 2014, she created the Opera Company of Middlebury Young Artist Program and currently resides as their director. In 2010, she founded the Ithaca Opera Studio in Ithaca, NY, and continues to present workshops designed to create well-rounded singers at the collegiate level. Recent topics include acting, score preparation, fitness, nutrition, mental well-being, effective practice skills, and recital preparation. She has also designed curriculum for and presented master classes on topics including audition techniques and improvisation for singers.
Ms. Pierce has training in a number of dance styles, stage combat, and opera improvisation. She earned a Performing Artist Certificate and a Master’s in Opera Performance from the University of North Carolina School of the Arts and holds Bachelor’s degrees in Vocal Performance and Music Education from Ithaca College.
Tenor M. Andrew Jones enchants audiences with his powerful vocal presence and unwavering passion. His artistry showcases the very essence of contemporary operatic excellence, earning accolades from critics and fellow artists alike.
Recent performances include Tamino in Die Zauberflöte and Vaudemont in Iolanta ...
Tenor M. Andrew Jones enchants audiences with his powerful vocal presence and unwavering passion. His artistry showcases the very essence of contemporary operatic excellence, earning accolades from critics and fellow artists alike.
Recent performances include Tamino in Die Zauberflöte and Vaudemont in Iolanta by Tchaikovsky with Queen City Opera. His portrayal of Lenski in concert with Queen City Opera, mesmerized audiences with his “firm, heroic” sound full of depth and emotion. Much acclaim has followed his portrayals of Max in Der Freischütz and Mime in Siegfried at Valhalla Productions in San Francisco, solidifying his reputation as a versatile and technically adept artist. Notable performances include Gulbrand in Queen City Opera’s production of Undina by Tchaikovsky, Don Ottavio in Don Giovanni, Pedrillo in Die Entführung aus dem Serail with Queen City Opera, as well as roles such as the 1st Armored Man/Second Priest in Die Zauberflöte with Dayton Opera, The Messenger in Aida, and the Innkeeper in Der Rosenkavalier with Cincinnati Opera.
Furthering his commitment to the arts, Jones holds a Master’s of Music in Vocal Performance from the University of Cincinnati – College Conservatory of Music, under the tutelage of the distinguished Kenneth Shaw, and a Bachelor of Arts in Music from Luther College, guided by the esteemed Ed Andereck.
Praised for his “mahogany-timbred” voice and “imposing presence” by Opera News, with The Washington Post acclaiming the “sinister undercurrent” of his sound and his lows “smoldering like magma,” Wm. Clay Thompson is anchoring himself as one of the most promising basses of his generation. During the 2025-2026 season, Mr. ...
Praised for his “mahogany-timbred” voice and “imposing presence” by Opera News, with The Washington Post acclaiming the “sinister undercurrent” of his sound and his lows “smoldering like magma,” Wm. Clay Thompson is anchoring himself as one of the most promising basses of his generation. During the 2025-2026 season, Mr. Thompson will reprise Colline in La bohème with Madison Opera and debuts the roles of Mark Torrance / Forest Ranger in The Shining (Moravec / Campbell) with Nashville Opera.
The 2024–2025 season saw Mr. Thompson making exciting debuts as Leporello in Virginia Opera’s Don Giovanni, Colline in Charleston Opera Theater’s La bohème, the title character in North Carolina Opera’s Le nozze di Figaro, and a return to Virginia Opera as Don Alfonso in Così fan tutte. Concert engagements include Zuniga in Carmen with the Sioux City Symphony conducted by Ryan Haskins; bass soloist in Mozart’s Requiem with Camerata Chicago under Drostan Hall; and bass soloist in Mozart’s Solemn Vespers and Bach’s Magnificat with the New Choral Society led by Dr. John T. King.
Mr. Thompson is a recent alum of the Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago, where he made notable debuts as the King in Aida, Zuniga in Carmen, and Chevalier Deux in Le Comte Ory. He also covered key roles including Rychtar in Jenůfa, Alidoro in La Cenerentola, Le Gouverneur in Le Comte Ory, Il Moine in Don Carlos, Jago in Ernani, and Arnie Duncan in the world premiere of Proximity.
Mr. Thompson has performed with a wide range of esteemed opera companies and festivals, including the Metropolitan Opera, Lyric Opera of Chicago, Santa Fe Opera, Minnesota Opera, Arizona Opera, Madison Opera, Virginia Opera, North Carolina Opera, Nashville Opera, Charleston Opera Theater, Fort Worth Opera, Kentucky Opera, Wolf Trap Opera, The Glimmerglass Festival, Château de Versailles Spectacles, and Seagle Music Festival.
Thompson’s extensive repertoire includes leading roles such as Méphistophélès (Faust), Leporello (Don Giovanni), Figaro (Le nozze di Figaro), Don Alfonso (Così fan tutte), Le Gouverneur (Le Comte Ory), Olin Blitch (Susannah), Nick Shadow (The Rake’s Progress), Noye (Noye’s Fludde), Prince Gremin (Eugene Onegin), Alidoro (La Cenerentola), Collatinus (The Rape of Lucretia), Colline (La bohème), and Harašta (The Cunning Little Vixen); as well as Il Commendatore (Don Giovanni), Don Bartolo (Le nozze di Figaro), Zuniga (Carmen), Suleyman Pasha (The Ghosts of Versailles), the King of Egypt (Aida), Dottore Grenvil (La traviata), Crébillon (La rondine), Count Ceprano (Rigoletto), Palémon (Thaïs), Superintendent Budd (Albert Herring), Peter Quince (A Midsummer Night’s Dream), Jago (Ernani), Il Moine (Don Carlos), the Master of Ceremonies (Cendrillon), and the Octet Singer (Hamlet). He has also appeared in contemporary and world premiere roles such as Charles Comiskey (The Fix), Raymond Buck (JFK), and Arnie Duncan (Proximity).
A recipient of the prestigious Richard F. Gold Career Grant from The Shoshana Foundation, Thompson is an alum of the Ryan Opera Center at Lyric Opera of Chicago and the Resident Artist Program at Minnesota Opera. He studied voice at the University of Kentucky and the University of North Texas, and currently resides in New York City.



