Duuun dun. Wear the costume.
A Halloween concert for every age, with a costume contest and prizes.
Duuun dun.
Duuun dun.
Dun dun dun dun dun dun…
You know exactly what that is. So does everyone else in the room, from the kid in the shark costume to Grandpa in the third row. And when a full orchestra plays it live, a few feet in front of you, you don’t just hear it. You feel it.
The drums land in your chest. The low brass rumbles up through your seat. The strings send a shiver right up your arms. That’s The Haunted Orchestra: a Saturday-morning Halloween concert with The Syracuse Orchestra, and the spookiest, silliest, loudest way to kick off Halloween week.
Look around and you’ll see it. A tiny pumpkin bouncing on Grandma’s lap. A big brother pretending he isn’t scared of the shark part. A dragon and a ballerina who’ve given up on sitting and are dancing in the aisle.
Dress up. There are prizes.
Every show has a costume contest, with prizes. One week before Halloween, it’s the perfect dress rehearsal. Homemade, store-bought, or held together with safety pins, wear it. Costumes are welcome on grown-ups too.
Bring everybody
The neighbor with the preschoolers. The family friend who starts decorating in September. Grandma. Grandpa. Anyone who’s ever loved Halloween.
Costumes welcome. Everybody’s welcome.
Grown-ups, come back tonight. Halloween by Candlelight is at 7:00 PM, same building.
GOOD TO KNOW
Who’s it for? Everybody. Babies, big kids, grown-ups, grandparents.
How long is it? About 30 minutes, no intermission.
Which show should we pick? Same show at 10:30 AM and 12:00 PM. Pick the one that fits around naps and lunch.
What should we wear? A costume, if you’ve got one. Otherwise, whatever’s comfortable.
When should we get there? Doors open 30 minutes before the show. Costume contest check-in at the door.
WHAT YOU’LL HEAR
Jaws (John Williams): The shark music. You’ll know it in two notes.
Danse Macabre (Saint-Saëns): The harp strikes midnight. A violin, tuned a little wrong on purpose, starts to play. And the skeletons get up to dance.
Dances of Transylvania (Bartók): Folk dances from Transylvania. Yes, Dracula’s Transylvania.
This Is Halloween (Danny Elfman): From The Nightmare Before Christmas. If you know it, you know it.
In the Hall of the Mountain King (Grieg): Starts on tiptoe, then gets faster and louder until it’s racing and the whole room is racing with it.
THANK YOU TO OUR SERIES SPONSORS!
Title Sponsor
Exclusive Auto Sponsor
THANK YOU TO OUR CONCERT SPONSORS
THE RAPHAEL FAMILY
FEATURED ARTISTS
Described by Classical Voice of North Carolina (CVNC) as an “impressive conductor…outstanding in his attention to detail and his command of the big picture”, Hong Kong-born conductor Ho-Yin Kwok is a three-time winner of The American Prize, 2021, winner of 2017-2018 Vincent C. LaGuardia, Jr. Conducting Competition and 2021 International ...
Described by Classical Voice of North Carolina (CVNC) as an “impressive conductor…outstanding in his attention to detail and his command of the big picture”, Hong Kong-born conductor Ho-Yin Kwok is a three-time winner of The American Prize, 2021, winner of 2017-2018 Vincent C. LaGuardia, Jr. Conducting Competition and 2021 International Conductors Workshop and Competition. Recently appointed as Director of Orchestral Activities at Ithaca College, New York, Kwok also serves as Artistic Director and Conductor of the Mississippi Valley Orchestra in Minneapolis-St. Paul, Minnesota.
As a rising conductor, Kwok has established a professional reputation in the state of Minnesota. He has served as Assistant Conductor of the Duluth Superior Symphony Orchestra and cover conductor of the Minnesota Orchestra. Kwok previously served as Assistant Conductor of Collegium Musicum Hong Kong and performed in esteemed venues such as New York’s Carnegie Hall and Musikverein in Vienna. He has guest conducted the New World Symphony (FL), Duluth Superior Symphony Orchestra (MN), Arapahoe Philharmonic (CO), Gwinnett Symphony Chamber Orchestra (GA), Lake Superior Chamber Orchestra (MN), Eastern Festival Orchestra (NC), among other ensembles.
An avid music educator, Kwok previously served as the Director of the Duluth Superior Youth Symphony, and in the faculty of Eastern Kentucky University and University of Minnesota Duluth. His other educational guest conducting engagements include the Greater Twin Cities Youth Symphonies, Southeastern Minnesota Youth Orchestras, Central Kentucky Youth Orchestras, University of Wisconsin-Madison Summer Music Clinic, and Foster Music Camp. He has served as adjudicator for concerto competitions such as those of Minnesota Orchestra Young People’s Symphony Concert Association, University of Kentucky and University of Louisville.
Kwok is a first prize winner of The American Prize in opera conducting. He had served as Music Director of the Opera Theatre at University of Minnesota Twin-Cities. He enjoys conducting operas of a wide range of periods and styles, from Mozart’s Idomeneo to Puccini’s La Bohéme, Britten’s Albert Herring, and Menotti’s The Consul. He was the instigating artistic force behind the formation of opera orchestra at Eastern Kentucky University and has collaborated professionally with Arbeit Opera Theatre and Lyric Opera of the North. In the 2021-22 season, Kwok gave one of the first performances of Laura Kaminsky’s new opera, Hometown to the World.
Known for his passion in diversifying the orchestral concert repertoire, Kwok has been involved in multiple initiatives and special projects. With the Mississippi Valley Orchestra, he created the annual Foreground Composers Series, a year-round celebration and in-depth research on an underrepresented composer. This ongoing project has led to numerous US premieres of works by Samuel Coleridge-Taylor, Ruth Gipps, and Ina Boyle, along with many other neglected composers. Kwok is also a panel member of …And we were heard, a national initiative to promote contemporary music and composers of underrepresented backgrounds. Kwok appeared as conductor for the Center for New Music at the University of Iowa.
Kwok studied conducting at the University of Minnesota Twin-Cities and the University of Iowa. His principal teachers are Mark Russell Smith and William LaRue Jones. He has also studied with Gerard Schwarz, Kevin Noe, Cristian Măcelaru, Giancarlo Guerrero, Kathy Saltzman Romey, Grant Cooper, José-Luis Novo and Eric Garcia.




