MEET THE CANDIDATES
Six finalists for the Music Director position will join us during our 2025-26 season, and you will have an important voice in helping us to choose our next musical leader! Each candidate will conduct one Masterworks Series concert and one Casual Series concert. The audience will be surveyed after each performance, and your feedback will be reviewed as we make our decision.
Get to know each of the six candidates below!
AUSTIN CHANU

Performances:
Masterworks – Shostakovich, Still, & Gershwin (April 11, 2026)
Casual – Fairy Tales (September 27 & 28, 2025)
A recipient of the 2024 and 2023 Career Assistance Award from the Solti Foundation U.S., Brazilian-American conductor Austin Chanu just concluded his tenure the Assistant Conductor of The Philadelphia Orchestra, where he assisted Music Director Yannick Nézet-Séguin.
Austin made his subscription debut with The Philadelphia Orchestra in April 2023 conducting Igor Stravinsky’s The Rite of Spring. Critics commended his interpretation saying, “the orchestra never sounded better as Chanu led with primal energy and shamanistic insight into the music…the orchestra matched Chanu’s confident leadership in a performance of searing energy and heart-thumping passion” (Broad Street Review).
Austin recently placed 3rd in the Korean National Symphony Orchestra International Conducting Competition where he also was awarded the orchestra prize. He has appeared as a guest conductor with the Filarmonica Banatul Timișoara, Baltimore Symphony Orchestra, St. Louis Symphony Orchestra, Rochester Philharmonic Orchestra, and Omaha Symphony. He has worked with prominent conductors including Esa-Pekka Salonen, Herbert Bloomstedt, Stéphane Denève, and Marin Alsop.
Austin is currently co-leading a project with The Philadelphia Orchestra to restore, rebuild, and elevate the underperformed works of American composer William Grant Still. Austin recently led the world premiere of a newly restored edition of Still’s Wood Notes that he helped create.
Austin has a passion for contemporary music, stemming from his own background as a composer. He served as a teaching artist and conductor for the LA Philharmonic Association’s Associate Composer Program, as well as a Conducting Fellow at the 2022 Cabrillo Festival of Contemporary Music, where he studied with conductor Cristian Măcelaru. He was commissioned by the Eastman School of Music to compose an orchestral work for the school’s centennial celebration and conducted its world premiere in the Fall of 2021.
Previously, Austin was Music Director for the Los Angeles Music and Art School, where he conducted and developed the artistic direction for the youth orchestra, choirs, and jazz band. Austin found it rewarding to draw on his Latino heritage to foster representation for the predominantly Latinx students and families in the program through repertoire selection.
In addition to his orchestral background, Austin has extensive experience in jazz and musical theatre styles. While living in Los Angeles, he was a high-call woodwind performer for musical pit orchestras and jazz ensembles.
Austin received a B.M. in Music Composition from the USC Thornton School of Music in 2015, graduating Magna cum Laude. He graduated from the Eastman School of Music in 2021 with an M.M. in Orchestral Conducting.
MAURICE COHN

Performances:
Masterworks – Love Stories (February 14, 2026)
Casual – Inspired by Jazz (January 10 & 11, 2026)
A two-time recipient of the Solti Foundation U.S. Career Assistance Award, Maurice Cohn is currently the 11th Music Director of the West Virginia Symphony Orchestra and serves as Artistic Partner and Conductor of Camerata Notturna. Alongside his work with West Virginia highlights of his 24/25 season include his debuts with the Filharmonie Bohslava Martinů for Stravinsky’s The Firebird and Tchaikovsky’s Rococo Variations and Omaha Symphony for Kurt Weill’s Symphony No. 2.
Highlights of his 23/24 season included a successful jump-in with the Cincinnati Symphony Orchestra, a return to Aspen Music Festival to conduct the Chamber Symphony in a programme that includes the world premiere of Peng-Peng Gong’s Late Bells for Concertante Piano and Orchestra as well as conducting Mason Bates Philharmonia Fantastique and a concert performance of Terence Blanchard’s Fire Shut Up in My Bones with the Dallas Symphony Orchestra. Recent seasons include debuts with Utah Symphony, Colorado Music Festival, and The Syracuse Orchestra as well as frequent appearances with the Chicago-Based contemporary ensemble Zafa Collective and the Aspen Contemporary Ensemble. Maurice served as the Assistant Conductor of the Dallas Symphony Orchestra until the end of the 23/24 season, and he was also Assistant Conductor of the Aspen Music Festival in 2022 and 2023.
He received the Robert J. Harth Conducting Prize and the Aspen Conducting Prize, and an M.M. in conducting from the Eastman School of Music, where he worked frequently with the Eastman orchestras and OSSIA New Music Ensemble. He holds a B.M. in cello performance from Oberlin Conservatory and a B.A. from Oberlin College, where he studied history and mathematics.
JACOB JOYCE

Performances:
Masterworks – Awadagin Plays Mozart (March 7, 2026)
Casual – Orchestra Spotlight (January 31 & February 1, 2026)
Currently serving as the Associate Conductor of the Pittsburgh Symphony Orchestra and the Music Director of the Pittsburgh Youth Symphony Orchestra, Jacob Joyce, age 31, is quickly gaining recognition as a dynamic and innovative presence on the podium. Joyce recently stepped in on short notice for performances on the PSO’s subscription series of Sibelius’s Symphony No. 5 and Bernstein’s Serenade with James Ehnes, to widespread critical acclaim. He also recently concluded his tenure as the Resident Conductor of the Indianapolis Symphony Orchestra, and has made his debut with several American orchestras in past seasons, including the Detroit, St. Louis, Houston, Colorado, Florida, Ann Arbor, and Baton Rouge symphonies. Abroad, Mr. Joyce has conducted the London Symphony Orchestra, the NDR-Sinfonieorchester, the hr-Sinfonieorchester Frankfurt, and the Frankfurt Museumsorchester. For his work in Indianapolis and around the world, he was awarded a Solti Career Assistance Award in 2020.
Mr. Joyce previously served as the Conducting Fellow for the Fort Worth Symphony, with whom he collaborates frequently, and has also held positions as the Associate Conductor of the Yale Symphony Orchestra, Music Director of the Berkeley College Orchestra, Music Director of the Opera Theater of Yale College, and Cover Conductor of the Handel and Haydn Society of Boston. An avid promoter of contemporary music, he has conducted several premieres of orchestral and operatic works. Mr. Joyce is also an advocate for bringing classical music to new audiences. He is the host and creator of the podcast Attention to Detail: The Classical Music Listening Guide, which provides people of all backgrounds with basic techniques for listening to classical music. He also works extensively with educators, music teachers, and orchestra directors, providing career advice and instruction to students across the country.
Mr. Joyce studied Orchestral Conducting with Hugh Wolff at the New England Conservatory. He has also received instruction at the Tanglewood Music Center and the American Academy of Conducting at Aspen. In recognition of his work, Joyce was awarded the Robert Spano Conducting Prize at Aspen, and was a semifinalist in the LSO Donatella Flick Conducting Competition and the Solti International Conducting Competition. Mr. Joyce graduated from Yale College in 2014, with a B.A. in Music and Economics. He also received a M.M. in Violin Performance from the Yale School of Music in 2015, studying with Syoko Aki.
As a violinist, Mr. Joyce has performed with several orchestras nationwide, and was awarded the Broadus Erle Prize for an Outstanding Violinist at the Yale School of Music. He served as the concertmaster of the Yale Symphony Orchestra, and performed regularly with the Boston Philharmonic and the Atlantic Symphony. He has previously attended the Tanglewood Music Center, the Bowdoin International Music Festival, and Encore School for Strings.
STILIAN KIROV

Performances:
Masterworks – Brahms & Debussy (January 24, 2026)
Casual – Folk Music Inspired (February 28 & March 1, 2026)
“…the playing of the IPO under Stilian Kirov was consistently impressive—polished, strongly projected, and bristling with virtuosic energy. As Kirov begins his third season as music director, it is clear that the young maestro is taking his southwest suburban orchestra to a new and exciting level.”
– Lawrence A. Johnson | Chicago Classical Review
First Prize Winner of the “Debut Berlin” Concert Competition, prizewinner at Denmark’s 2015 Malko Competition as well as the 2010 Mitropoulos Competition, Stilian Kirov made his debut at the Berlin Philharmonie in 2017. He is currently Music Director of the Illinois Philharmonic and the Bakersfield Symphony. A former Music Director of Symphony in C in New Jersey (2015-2020), he is also a recipient of numerous Solti Foundation U.S. Career Assistance Awards (2016-2019).
Highlights of Mr. Kirov’s guest performances include appearances worldwide with the Israel Camerata, Xi’An Symphony, Minas Gerais Philharmonic Orchestra, Sofia Philharmonic, Leopolis Chamber Orchestra/Ukraine, Orchestra of Colors/Athens, Orchestre Colonne/Paris, Sofia Festival Orchestra, State Hermitage Orchestra/St. Petersburg, Thüringen Philharmonic Orchestra, the Zagreb Philharmonic, the Musical Olympus International Festival in St. Petersburg, and the Victoria Symphony/British Columbia, among others.
In the United States, Mr. Kirov has collaborated with the symphonies of Seattle, Memphis, Chautauqua, Omaha, West Virginia as well as the Amarillo Symphony, National Repertory Orchestra/Breckenridge, and the Tucson Symphony and the Pacific Northwest Ballet.
Stilian Kirov assisted distinguished conductors such as the late Bernard Haitink with the Chicago Symphony Orchestra as well as Stéphane Denève, the late Rafael Frühbeck de Burgos, Christoph von Dohnányi, and the late Andrew Davis, all with the Boston Symphony Orchestra.
Mr. Kirov is a graduate of The Juilliard School’s orchestral conducting program, where he was a student of James DePreist. He has also studied with the late Kurt Masur, Michael Tilson Thomas, the late Gianluigi Gelmetti, George Manahan, Robert Spano and Asher Fisch, among others.
Also a gifted pianist, Stilian Kirov was Gold Medalist of the 2001 Claude Kahn International Piano Competition in Paris.
STEPHEN MULLIGAN

Performances:
Masterworks – Prokofiev & Beethoven (October 18, 2025)
Casual – Hansel & Gretel (November 22 & 23, 2025)
American Conductor and Composer Stephen Mulligan has served as Resident Conductor with the Cincinnati Opera, Associate Conductor with the Atlanta Symphony, and Dudamel Conducting Fellow with the Los Angeles Philharmonic. 2024-25 season highlights include conducting debuts with Ensemble MusikFabrik, the Filarmonica Transilvania, Junges Sinfonie Orchester Wetzlar, and at the Momentum Festival Berlin, alongside return engagements as a guest conductor at the University of North Texas Opera and as an assistant conductor with the New York Philharmonic. As a composer, Stephen will present a new work with Ensemble MusikFabrik at their studio in Cologne and begin a collaboration with percussionist David Moliner and Universal Edition, culminating in the premiere of a new work at the Elbphilharmonie in Hamburg in January 2026.
A passionate advocate for contemporary music, Stephen debuted on the New York Philharmonic’s Sound ON Series in 2022 and their 65th Street Session Series in 2023. In demand as a guest conductor, Stephen has led performances with the Dallas Symphony, Detroit Symphony, Gulbenkian Orchestra, Louisiana Philharmonic, Minnesota Orchestra, National Symphony, Phoenix Symphony, Rochester Philharmonic, San Antonio Philharmonic, San Francisco Symphony, Sarasota Orchestra, St. Louis Symphony, and Virginia Symphony.
Stephen has assisted, prepared stage works, and served as second conductor for many of the world’s top conductors, including Marin Alsop, Karina Canellakis, Gustavo Dudamel, James Gaffigan, Edward Gardner, Manfred Honeck, Jakub Hrůša, Susanna Mälkki, Zubin Mehta, Ludovic Morlot, Peter Oundjian, Matthias Pintscher, David Robertson, Sir Donald Runnicles, Esa-Pekka Salonen, Leonard Slatkin, Robert Spano, Michael Tilson Thomas, and Jaap van Zweden.
As a Dudamel Conducting Fellow with the Los Angeles Philharmonic, Stephen stepped in for Gustavo Dudamel on short notice to conduct an all-Beethoven program and led other notable performances, including Stravinsky’s complete L’Histoire du Soldat and an All-Ravel Toyota Symphonies for Youth Concert. During his first season as Associate Conductor with the Atlanta Symphony, Stephen stepped in for three classical subscription programs over six weeks to critical acclaim.
A native of Baltimore, Stephen Mulligan began his violin studies with his father, Gregory, and continued with Kyung Yu at Yale University. His conducting teachers include Gustav Meier at the Peabody Institute, Robert Spano at the Aspen Music Festival, and Arturo Tamayo at the Conservatorio della Svizzera Italiana. He has a degree in composition under Jörg Widmann from the Barenboim-Said Akademie in Berlin.
Stephen Mulligan is represented worldwide by Marianne Schmocker Artists New York and Munich.
JOSÉ-LUIS NOVO

Performances:
Masterworks – Elgar’s Enigma Variations (November 15, 2025)
Casual – Let Freedom Ring (April 18 & 19, 2026)
Spain’s native, JOSÉ-LUIS NOVO is currently artistic director and conductor of the Annapolis Symphony Orchestra (ASO) in Maryland and from 2003 to 2016 he held an impressive thirteen-year tenure as Music Director and Conductor of the Binghamton Philharmonic. Prior to these appointments, he served as Assistant Conductor of the Cincinnati Symphony Orchestra under both former Music Director Paavo Järvi and the late Music Director Emeritus Jesús López-Cobos, and the Cincinnati Pops Orchestra under the late Erich Kunzel. He has been on the conducting faculty at the Eastern Music Festival since 1999.
Highlights of Novo’s tenure with the ASO include numerous appearances at the Music Center at Strathmore with violinists James Ehnes, Anne Akiko Meyers, NoahBendix-Balgley, Chee-Yun, Leticia Moreno and Esther Yoo; pianists Olga Kern, Jon Nakamatsu, Brian Ganz and Awadagin Pratt; cellists Steven Isserlis and the late Lynn Harrell; guitarist Manuel Barrueco; pipa virtuoso Wu Man and the Naval Academy Glee Club. Also remarkable are a 2012 return appearance at the Clarice Smith Performing Arts Center with mezzo-soprano Denyce Graves, national broadcasts on NPR’s Performance Today, debut TV broadcasts on Washington’s WETA Metro PBS, the launching of the ASO’s award-winning streaming platform Symphony+, the creation of the Annapolis Symphony Academy and the ASO’s first commercial CD commemorating the 300th anniversary of the signing of the City of Annapolis’ Royal Charter. In July of 2022, Maestro Novo and the ASO stunned audiences on both sides of the Atlantic in a debut international tour to Spain with guitar virtuoso Pepe Romero as guest soloist.
Recent and upcoming guest conducting engagements include debut appearances with the Rochester Philharmonic, the Austin, Grand Rapids, Hilton Head, Palm Beach, Alexandria and South Bend Symphony Orchestras, and return appearances with the Baltimore Symphony, the Fresno Philharmonic, The Syracuse Orchestra,, and a Kimmel Center debut in Philadelphia conducting the Curtis Institute Orchestra. After a successful debut with the Thailand Philharmonic Orchestra (TPO) for the Thailand International Composition Festival, Maestro Novo has been invited back regularly to guest conduct the TPO on several occasions. Other guest conducting engagements have included appearances with the Symphony San José; the Minnesota Orchestra; the Syracuse, Modesto, Windsor, Stamford, Tulsa, and Tallahassee Symphonies; the Cincinnati Chamber Orchestra; the Cleveland and Abilene Philharmonics, and most of the major Spanish orchestras.
Novo has also fostered a reputation as a keen educator of young musicians. He has held conducting positions with the Cincinnati Symphony Youth Orchestra, Miami University Symphony Orchestra, National Repertory Orchestra, National Youth Orchestra of Spain and the Yale Symphony Orchestra, and from 2017 to 2019 he was Interim Director of Orchestral Activities at the University of Maryland School of Music, College Park. In addition, he has conducted many noteworthy college and youth orchestras such as the Curtis Institute Orchestra, the Cleveland Institute of Music Orchestra, the Bard Conservatory Orchestra, the Ithaca College Symphony Orchestra, and the Portuguesa State Youth Orchestra of the Venezuelan El Sistema. More recently and under the auspices of the Annapolis Symphony Academy, he presided over the debut of its Orion Youth Orchestra, conducting the inaugural concert in June 2022.
Novo was featured in the League of American Orchestra’s Symphony magazine in “Podium Powers,” an article about emerging Hispanic conductors in the United States. He holds music degrees from the Cleveland Institute of Music, Yale University and the Royal Conservatory of Music in Brussels, and is the recipient of a 2010 Annie Award in Performing Arts from the Arts Council of Anne Arundel County, a 2008 American Society of Composers, Authors, and Publishers Adventurous Programming Award, and a 2005 Broome County Arts Council Heart of the Arts Award.